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To seek, to find, to design, and not to yeild.

Design Some­thing Every­day 14/365

To strive, to seek, to find & not to yield.

This was a design based on one of my favorite poems, Ulysses, by Alfred Lord Ten­nyson. The poem is very mov­ing, and has the great hero Ulysses (Odysseus in Greek) at the end of his life feel­ing the urge to strive, explore and set sail once again. That is an urge we have and should cher­ish, that lit­tle voice that tells us there is still much more to see and do. It is a human qual­ity that we need to heed, espe­cially when our boat has waited to long in the har­bor. Here’s the com­plete poem (don’t worry it’s in the pub­lic domain):

Ulysses
by Alfred Lord Tennyson

It lit­tle prof­its that an idle king,
By this still hearth, among these bar­ren crags,
Match’d with an aged wife, I mete and dole
Unequal laws unto a sav­age race,
That hoard, and sleep, and feed, and know not me.

I can­not rest from travel: I will drink
Life to the lees: all times I have enjoyed
Greatly, have suf­fered greatly, both with those
That loved me, and alone; on shore, and when
Through scud­ding drifts the rainy Hyades
Vexed the dim sea: I am become a name;
For always roam­ing with a hun­gry heart
Much have I seen and known; cities of men
And man­ners, cli­mates, coun­cils, gov­ern­ments,
Myself not least, but hon­oured of them all;
And drunk delight of bat­tle with my peers;
Far on the ring­ing plains of windy Troy.
I am a part of all that I have met;
Yet all expe­ri­ence is an arch wherethrough
Gleams that untrav­elled world, whose mar­gin fades
For ever and for ever when I move.
How dull it is to pause, to make an end,
To rust unbur­nished, not to shine in use!
As though to breathe were life. Life piled on life
Were all too lit­tle, and of one to me
Lit­tle remains: but every hour is saved
From that eter­nal silence, some­thing more,
A bringer of new things; and vile it were
For some three suns to store and hoard myself,
And this grey spirit yearn­ing in desire
To fol­low knowl­edge like a sink­ing star,
Beyond the utmost bound of human thought.

This is my son, mine own Telemachus,
To whom I leave the scep­tre and the isle —
Well-loved of me, dis­cern­ing to ful­fil
This labour, by slow pru­dence to make mild
A rugged peo­ple, and through soft degrees
Sub­due them to the use­ful and the good.
Most blame­less is he, cen­tred in the sphere
Of com­mon duties, decent not to fail
In offices of ten­der­ness, and pay
Meet ado­ra­tion to my house­hold gods,
When I am gone. He works his work, I mine.

There lies the port; the ves­sel puffs her sail:
There gloom the dark broad seas. My mariners,
Souls that have toil’d, and wrought, and thought with me —
That ever with a frolic wel­come took
The thun­der and the sun­shine, and opposed
Free hearts, free fore­heads — you and I are old;
Old age hath yet his hon­our and his toil;
Death closes all: but some­thing ere the end,
Some work of noble note, may yet be done,
Not unbe­com­ing men that strove with Gods.
The lights begin to twin­kle from the rocks:
The long day wanes: the slow moon climbs: the deep
Moans round with many voices. Come, my friends,
’Tis not too late to seek a newer world.
Push off, and sit­ting well in order smite
The sound­ing fur­rows; for my pur­pose holds
To sail beyond the sun­set, and the baths
Of all the west­ern stars, until I die.
It may be that the gulfs will wash us down:
It may be we shall touch the Happy Isles,
And see the great Achilles, whom we knew

Tho’ much is taken, much abides; and though
We are not now that strength which in old days
Moved earth and heaven; that which we are, we are;
One equal tem­per of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.

Poem Source

Just for fun here’s a YouTube video of a per­for­mance of the poem:

Design Something Everyday 13/365

I was at the park with my kids play­ing in the sand box and I recalled this quote from Chip Kidd’s won­der­ful novel The Cheese Mon­keys: A Novel in Two Semes­ters: “Design is pur­pose­ful plan­ning… Graphic design is the form those plans will take.” Between the juice boxes and push­ing kids on the swing I tried to rep­re­sent that with sand, sticks and pebbles.

Any­one who is inter­ested in lit­er­a­ture or good sto­ry­telling would like The Cheese Monkey’s, but for design­ers, I highly rec­om­mend Kidd’s book for many rea­sons, first it is a grip­ping tale of Happy (the pro­tag­o­nist) dis­cov­er­ing him­self and the world he inhab­its. Sec­ond, the host of char­ac­ters that Kidd cre­ates are unfor­get­table, espe­cially Himillsy Dodd and Win­ter Sor­beck. Finally, the book is full of great nuggets about graphic design. That last point is some­thing design­ers should enjoy, or at least pro­voke some food for thought. It isn’t often that graphic design gets so elo­quently dis­cussed, defended and crit­i­cized in any form, let alone a novel. Hav­ing the his­tory, pur­pose and prac­tice of graphic design exam­ined in fic­tion is refreshing.

Links:

Here are some great interviews/talks by and with Chip Kidd:

Twitter Updates for 2010-03-06

  • As I rush to fin­ish a ton of projects I real­ize that the great philoso­phers INXS had it right when they said “Not enough time.” #
  • A good intro­duc­tion to Albin’s Coun­tergam­bit http://goo.gl/zRmZ #
  • If you love mod­els, as I do you’ll love these Itty Bitty Cities: Mod­els That Minia­tur­ize the World | Design + Ideas on WU http://goo.gl/EEHn #
  • great arti­cle Archer open­ing title sequence | The Art of the Title Sequence http://goo.gl/DgBG #

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Twitter Updates for 2010-03-05

  • Is lis­ten­ing to Tiki music idol­a­try? #
  • Good to know. Blue­print For A Suc­cess­ful Design Blog | Design | PelFusion.com http://goo.gl/cVVM #
  • Tweet­ing about twit­ter, doesn’t that cre­ate a para­dox in space­time? Free­lancers ayou should use twit­ter | Cre­ative Nerds http://goo.gl/fSgi #
  • The web gets stoned (tex­tures): Stone tex­tures in mod­ern web design: Exam­ples and Resources — Webby free­bies http://goo.gl/B2at #
  • A very handy post! 4 Ways to Get Rounded Cor­ners Using CSS — Pxleyes.com Blog http://goo.gl/7y4H #
  • Illus­tra­tors to fol­low… Beau­ti­ful Illus­tra­tor Art­works By Artists Around The World — Smash­ing Mag­a­zine http://goo.gl/eSGu #
  • Great fonts, they’re just my type.… HA! 22 Fresh High-Quality Fonts for Your Designs | Free­bies http://goo.gl/DO17 #
  • Good idea. How to cre­ate a dis­tin­guish­able tex­tured web lay­out in Pho­to­shop | WeGraph­ics http://goo.gl/Spyq #
  • Nice grungy text good­ies. 50 Free­bies: Down­load Free Grunge Fonts http://goo.gl/D4NQ #
  • OK Go’s Rube Gold­berg music video goes above and beyond — Core77 http://goo.gl/C9Lz #
  • RT @AndrewWarner: How to pro­cras­ti­nate like Leonardo da Vinci http://ow.ly/1eFP8 (via @gabeAu­dick) #
  • I am not sure if #2 is really a design site, the oth­ers are great site. Five essen­tial design sites via Mac­World http://goo.gl/0PAX #
  • Hilar­i­ous! RT @just­cre­ative: 15 logos that look like other things — http://bit.ly/cBOofx via @kaitvil­lanova *wow #
  • RT @visu­al­swirl Cross-Cultural Web Design: Best Prac­tices for Build­ing an Inter­na­tional Web­site http://bit.ly/cSbAeK #
  • Won­der­ful work. Artist Show­case: Beau­ti­ful Illus­tra­tions by Good Wives and War­riors | Cir­cle­box Blog http://goo.gl/xIsJ #
  • Great Shirt, I guess Fred, Daphne and Shaggy became zom­bie food. “We’ve Got Some Work To Do Now” T-shirt by Travis Pitts http://goo.gl/inLg #
  • So You Call Your­self A Designer? | Design Reviver http://goo.gl/HJ1p #

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Polyphemus Gives Odysseus’s Men a Hand

Design Some­thing Every­day: 12/365

Here’s a lit­tle sketch for my design some­thing every day project. Imag­ine your­self as one of clever Odysseus’ men in the cave of the Cyclops, and one-eyed Polyphe­mus, son of Posei­don, reaches down to devour you, or as Samuel But­ler grue­somely put it in his translation:

The cruel wretch vouch­safed me not one word of answer, but with a sud­den clutch he gripped up two of my men at once and dashed them down upon the ground as though they had been pup­pies. Their brains were shed upon the ground, and the earth was wet with their blood. Then he tore them limb from limb and supped upon them. He gob­bled them up like a lion in the wilder­ness, flesh, bones, mar­row, and entrails, with­out leav­ing any­thing uneaten.” — Homer, The Odyssey Book 9, trans. Samuel Butler.

Links:

The Odyssey, by Homer Trans­lated by Samuel But­ler via the Clas­sics Archive at MIT.
Free online audio ver­sion of the But­ler trans­la­tion of They Odyssey at Lib­rivox. Although it is great to read Homer, one should lis­ten to a good read­ing of his epics. Con­sid­er­ing that’s how most in the ancient world were exposed to them, I find it fun to lis­ten to them being read. It makes me feel like I am walk­ing in their shoes, er sandals.

Twitter Updates for 2010-03-04

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A Map of the Underworld according Virgil’s Aeneid Rendered as a Subway Map

Design Some­thing Every­day 11/365: In honor of my love of maps, infor­ma­tion graph­ics and Vir­gil, I decided to imag­ine Aeneas jour­ney as if it were a sub­way map. So enjoy. Don’t for­get your sub­way token’s for Charon!

Virgil's Aenied as a subway map.

I have always loved maps, as a child I would look at our world atlas and pon­der the far flung reaches of the globe. Then I dis­cov­ered a his­tor­i­cal atlas at my school and real­ized that maps could not only take you hor­i­zon­tally across the globe but also ver­ti­cally in to the dis­tant past.

A period I found par­tic­u­larly fas­ci­nat­ing was the Roman Empire. I’d gaze at the maps show­ing the roads stretch­ing out from Rome like a web unit­ing the dis­parate cor­ners west­ern world under the the ban­ner of The Sen­ate and Peo­ple of Rome — SPQR.

The great poet Pub­lius Vergilius Maro, bet­ter known to us today as Vir­gil wrote his mas­ter­piece the Aeneid at the same time Rome was near­ing the apex of it’s power and con­fi­dence. This mag­nif­i­cent poem was writ­ten to, amongst other things, cre­ate a mythol­o­gized past for the Romans of the first cen­tury CE, par­tic­u­larly for Virgil’s patron, the Emperor Augus­tus. As such, the poem depicts the Romans  as a peo­ple not great at skill in art, des­tined to rule.

Let oth­ers bet­ter mold the run­ning mass
Of met­als, and inform the breath­ing brass,
And soften into flesh a mar­ble face;
Plead bet­ter at the bar; describe the skies,
And when the stars descend, and when they rise.
But, Rome, ‘t is thine alone, with awful sway,
To rule mankind, and make the world obey,
Dis­pos­ing peace and war by thy own majes­tic way;
To tame the proud, the fetter’d slave to free:
These are impe­r­ial arts, and wor­thy thee.“
–The Aeneid, Book 6 Trans­lated by John Dryden

This pas­sage takes place dur­ing a con­ver­sa­tion between Aeneas and his dead father Ancheises in the under­world. This is direct allu­sion to Homer and The Odyssey. In Homer’s work must his hero Odysseus must visit a cave where he will sum­mon the dead seer Tire­sias (amongst other dead celebs). By doing this he will gain the knowl­edge to com­pete his quest and finally reach the far shores of Ithica.

In the Aeneid, Aeneas has the same quest but he actu­ally has to travel through the land of the dead, instead of just wait­ing at the gate like Odysseus. This is one of the most impor­tant and vivid parts of the poem. His jour­ney has inspired artists and poets for cen­turies, now it has inspired a daily design and under­world sub­way map!

Links & Sources:

Twitter Updates for 2010-03-03

  • Very inter­est­ing tuto­r­ial. How to Cre­ate a Vec­tor Series of Lin­ear Effects | Vec­tor­tuts+ http://goo.gl/5zQN #
  • More Tiki Urban Arche­ol­ogy from Michael Fitzgerald’s Blog | From the San Joaquin Media Group. http://goo.gl/EBi4 #
  • Nice rusty tex­tures. Free Tex­ture Tues­day: Rust 3 | Bit­tBox http://bit.ly/bguB1l #
  • Make your own Solar Sys­tem! My Solar Sys­tem 2.02 http://goo.gl/MWTC #
  • Amaz­ing paint­ings of pos­si­ble Alien life from work from Abiogenisis’s Gallery http://goo.gl/e5HI #

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Design Something Everyday 10/365

Upsidedown Juggling!

Another “CD Cover Design Game” In hind­sight it prob­a­bly didn’t work as well as I would of liked, but blogs are for exper­i­men­ta­tion. Though I must admit I am rather fond of the type­face, Caflisch Script Pro. It is a very beau­ti­ful type­face based on Designer Max Caflisch’s hand­writ­ing! That is great pen control.

Caflisch Script is based on the hand­writ­ing of Max Caflisch, one of the fore­most graphic design­ers of this cen­tury. Caflisch, a teacher of graphic arts for over three decades in Zurich, is author of sev­eral books on typog­ra­phy and designer of the 1952 Columna typeface.

Caflisch´s hand­writ­ing has a free flow­ing yet dis­ci­plined char­ac­ter, the result of years of prac­tice and devo­tion to the cal­li­graphic arts. Slim­bach retained the sub­tleties and nat­ural let­ter joins of Caflisch´s orig­i­nal hand­writ­ing while adapt­ing it into a typo­graph­i­cally sound and highly prac­ti­cal script type­face. — From MyFonts.com

Design Something Everyday 9/365

Nothing is written, unless you write it.

Noth­ing is written…

An homage to one of my favorite movies, David Lean’s mas­ter­piece Lawrence of Ara­bia, done in moti­va­tional com­puter desk­top wall paper style. A film that was truly meant for the big screen.